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64 SIMULTANEOUS HI-RES AUDIO CHANNELS VIA THUNDERBOLT™
Connects seamlessly with any DAW on PC or MAC. Orion32+ | Gen 3 supports low latency recording & playback of up to 64 simultaneous 24/192 audio channels via Thunderbolt™ and up to 32 channels over USB. The sleek single rack space unit features 8x DB25 connectors for Analog I/O. Digital connections are 1x MADI, 2x ADAT, and 1x S/PDIF.
HEAR THE PAST. EXPECT THE FUTURE.
Orion32+ | Gen 3 includes a complimentary suite of superb real-time effects selected from a growing library of Antelope Audio FPGA FX. Additional effects can be purchased to expand your arsenal of FX.
REAL-TIME FX INCLUDED
Ready? Set? Get rocking! Orion32+ | Gen 3 includes six premier essential audio effects from the Antelope library, which run in real-time on an ultra-fast FPGA platform. Covering a wide variety of tracking and mixing uses, each effect boasts mastering grade precision and clarity – from the Clear Q linear EQ to the spacious and advanced AuraVerb. These six tools alone cover all your essential mixing and mastering needs.
EXEMPLARY CLOCKING & CONVERSION
Antelope Audio is known over the world as the premier audio clocking experts. This legend lives on thanks to our next-generation 64- bit Acoustically Focused Clocking technology & jitter management algorithm. A pair of Word Clock outputs turn the Orion32+ | Gen 3 into a world-class Master Clock for your entire studio, while a 10MHz input allows for use with the best possible stability using Antelope’s legendary 10M & 10MX Atomic Clocks. With it’s brand-new AD/DA converters achieving up to 129dB dynamic range (Monitor Outs), Orion32+ | Gen 3 continues our reputation for pristine conversion quality. Hear the true sound of your music with both digital clarity and analog warmth.
SUB-MILLISECOND ROUNDTRIP LATENCY. A FACT.
Orion32+ | Gen3 delivers true sub-millisecond round-trip latency for both AD and DA conversion. We proudly present the following stellar measurements, using our proprietary Windows Thunderbolt™ driver ver. 1.0.4.87 tested using the Oblique Audio RTL Utility. Stable playback & recording were achieved at these measured settings, in PreSonus Studio One 4, on an Intel Core i7-8700K CPU. But, let the figures speak for themselves.
ANALOG
- Analog Inputs 4 x D-SUB 25 (32 channels total), +24 dBu max, 11.2 kOhms
- Analog Outputs 4 x D-SUB 25 (32 channels total), +24 dBu, 56 Ohms
- 2 x Monitor Outs on TRS 1/4 Jacks
- D/A Monitor Converter Dynamic Range: 129 dB THD + N: -108 dB
- A/D Converter Dynamic Range: 121 dB THD + N: -112 dB
- D/A Converters Dynamic Range: 120 dB THD + N: -107 dB
DIGITAL
- Digital Inputs 1 x Fiber Optic MADI (up to 64CH) 2 x ADAT (up to 16CH)
- 1 x S/PDIF Digital Outputs 1 x Fiber Optic MADI (up to 64CH)
- 2 x ADAT (up to 16CH)
- 1 x S/PDIF
- USB I/O USB 2.0 Hi-Speed; Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B
- ^Thunderbolt™ 1 x Thunderbolt™ (64 channels I/O)
- CLOCKING Word Clock Input 1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz Word
- Clock Outputs 2 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz Atomic Clock Input
- 1 x 10M Input @ 75 Ohms Vpp on BNC
- Clocking System 4th Generation
- Acoustically Focused Clocking
- 64-bit DDS
- Oven Controlled Crystal Oscillator
- Sample Rates (kHz) 32, 44.1, 48, 88.2, 96, 176.4, 192
