{"title":"Thermionic Culture","description":null,"products":[{"product_id":"the-snow-petrel","title":"The Snow Petrel","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Thermionic Culture Snow Petrel is the ultimate microphone preamplifier, primarily designed to drive ribbon microphones such as the Coles 4038 and others, but also works well with other condenser microphones.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Are you looking for a microphone preamplifier that reproduces and with a lot...\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e THE SNOW PETRELL. Unveil the beauty of your favorite ribbon microphones in the most natural way, revealing sparkling clear highs down to harmonically rich lows.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Designed originally for use with the Coles 4038 as a super-clean low noise unit, after extensive field tests in UK, Norway and France, we've found it sounds exceptional with ANY microphone including the classic Neumann U 87, perhaps because:\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e We use extra-low noise valves with NO solid state impurities in the audio path, plus VERY special Sowter in and out transformers\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Input impedance is higher than usual to preserve clarity and can be tailored to individual mics with the Hi\/Lo and Pad switches\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eIncredibly musical and progressive saturation for distortion lovers when overdriven and by employing the fine and coarse attenuators\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Controls include Gain, from 40 to 75 dB, switched, HPF to reduce \"proximity effect\" and \"Air\" to add that extra clarity.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Carefully hand made and tested in Harlow, England\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Extra-low noise valves with NO solid state impurities in the audio path;\u003c\/li\u003e\n\n\u003cli\u003e Sowter's VERY special balancing transformers for the inputs and outputs;\u003c\/li\u003e\n\n\u003cli\u003e Higher than usual input impedance to preserve clarity;\u003c\/li\u003e\n\n\u003cli\u003e Hi\/Lo and Pad switches to tailor the input impedance to suit individual mics;\u003c\/li\u003e\n\n\u003cli\u003e +48V Phantom power available;\u003c\/li\u003e\n\n\u003cli\u003e All valve Class A amplification;\u003c\/li\u003e\n\n\u003cli\u003e Controls include Switched Gain, from 40 to 75dB; HPF to reduce 'proximity effect' and 'Air' to add that extra clarity;\u003c\/li\u003e\n\n\u003cli\u003e Housed in a 2U 19\" rack mounted unit.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cstrong\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37248228982955,"sku":"99-TC-TSPV","price":42250.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/files\/the-snow-petrel-251522.jpg?v=1776201397"},{"product_id":"culture-vulture","title":"Culture Vulture","description":"\u003cp\u003e This is the original and still the only studio unit dedicated to just adding valve produced harmonic distortion to sounds, with no solid state components in the way. This unique unit has changed little since its introduction in 1998.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e There are three basic settings for the type of distortion:\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e T gives the typically \"musical\" effect found with triode valves and is good for just \"warming up\" a sound.\u003c\/li\u003e\n\n \u003cli\u003eP1 means that the \"distortion\" valve is switched to Pentode mode to add odd harmonics which make the sound more aggressive, but retaining that valve character.\u003c\/li\u003e\n\n\u003cli\u003e P2 is the \"No Holds Barred\" setting and is a very unusual way of configuring an unusual valve, even giving an extra octave at higher bias settings.\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cp\u003e \u003cstrong\u003eThe Bias control\u003c\/strong\u003e varies the current through the \"distortion\" valve (6AS6 type) and this current is shown on the millimeter. At low current the Vulture is \"starved\" and the sound is inclined to be thinner and \"break up\" easily. High current and the Vulture is over-fed and becomes quite fat and bloated. At medium current (0.25-0.3 mA) it distorts least, and this is the best setting for just \"warming up\" a sound. When the Vulture is over-driven, the meter may \"twitch\" and this gives a good indication of how drastic the distortion is.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eThe Low-pass filter\u003c\/strong\u003e has a 12dB\/octave slope and will remove unwanted frequencies above 6 or 9 kHz (selectable) so as to make the sound more \"rounded\". The Drive control and Overdrive switch give the user ample control over the amount the input signal is boosted before it hits the 6AS6 valve.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eThe Output Level\u003c\/strong\u003e controls the amount of signal going to the output valve. This control should be set at 8 + for low distortion and turned back when Drive is increased for more distortion, except when P2 is selected.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eThe Bypass switch\u003c\/strong\u003e completely bypasses the unit so that the Culture Vulture's effect can be accurately compared to the original.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37458980044971,"sku":"99-TC-CV","price":24950.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/files\/culture-vulture-855931.jpg?v=1776201283"},{"product_id":"culture-vulture-super-15-standard","title":"Culture Vulture Super 15","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Culture Vulture Super 15\u003c\/strong\u003e is the most comprehensive Vulture to date. It incorporates all the features found on the 11th Anniversary edition such as the 7 extra distortion functions, but also now features a 2 position Presence switch.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe Drive switch\u003c\/strong\u003e has three positions with a +10dB option sitting squarely between 'Normal' and 'Overdrive', enabling users to make their sounds 'a little more crunchy' with increased brightness.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe Function switch\u003c\/strong\u003e now offers further enhancements including special dynamic tunable mid-lift in the P positions and extra drastically-processed harmonics in the SQ positions.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe Output Level controls\u003c\/strong\u003e have a -10dB attenuator which can be used in conjunction with Drive+10dB for comparison purposes or just to reduce high levels.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe module's line inputs\u003c\/strong\u003e are balanced while the line plus low level outputs are unbalanced. The input valves are special quality M8100\/5654 of Mullard origin and give low noise, more gain and long life. The dials now go up to 15 instead of 11!\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e* BALANCED OUTPUTS AVAILABLE TO SPECIAL ORDER\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eVulture Super 15\u003c\/strong\u003e is the most comprehensive Vulture to date. It incorporates all the features found on the 11th Anniversary edition such as the 7 extra distortion functions, but also now features a 2 position Presence switch.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37458998067371,"sku":"99-TC-CV-SUPER15","price":35950.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/culture-vulture-super-15-standard-212265.jpg?v=1666343275"},{"product_id":"the-phoenix-stereo-valve-compressor","title":"The Phoenix Stereo Valve Compressor ","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\n\u003cdiv\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n \u003cem\u003e\u003cstrong\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003c\/em\u003e\n\n\u003c\/div\u003e\n\n \u003cdiv\u003eThe Phoenix SB is now the standard production version of the Phoenix compressor. Alongside the now classic circuit design of the original Phoenix, it incorporates the side chain filter controls from the previous standard Phoenix SC model with the new addition of an HT standby switch.\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e The additional HT Standby switch allows the user to put the Phoenix into a low power standby mode that is designed to increase the life of the unit's valves and capacitors. When first switching on, or if the unit's not in use for a while, have the Standby on. Switch off Standby and it will instantly come back to full life.\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e We have also placed the meter zero controls on the front panel for much easier access. Both meters should read \"0\" when the Phoenix is ​​off standby and not compressing. They can be adjusted easily by any user without harm to the unit.\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n \u003cdiv\u003eThe side chain filters can be used to cut the Phoenix's compression response to bass frequencies. The filter operates below either 150Hz or 300Hz on each channel and when stereo link is engaged the filters operate at the average of the two sides. This enables the user to choose from 5 filter frequencies when in stereo operation.\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e The Phoenix is ​​well known for its smooth \"soft knee\" compression characteristic and excellent specifications. This means that it can be used as a compressor that will not harm your signal quality, while subtly controlling dynamic range. It is also possible to drive the unit harder to produce harmonic distortion and higher ratio compression if desired. Many users have found these features bring life to mixes or individual instruments, and control vocals, with a natural \"warm\" quality.\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n \u003cdiv\u003eContrary to the above, users have found that if the unit is operated in standby mode (it still passes audio) a \"symmetrical\" distortion occurs, not unlike that produced by overloading analogue tape. Perhaps this fact alongside an exaggerated compression curve lends to the Phoenix in standby mode another dimension. \u003c\/div\u003e\n\n\u003cdiv\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37459019956395,"sku":"99-TC-PH","price":47950.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/the-phoenix-sb-stereo-valve-compressor-889774.jpg?v=1606528985"},{"product_id":"swift-eq","title":"Swift EQ","description":"\u003cp\u003e This two channel equalizer had been designed to be as much at home in tracking individual instruments or sitting across a stereo mix bus to equalize the final mix. As with other units of ours, such as The Phoenix, all controls are clearly labeled and setting up the eq is quick and easy, so we named it after Britain's fastest bird in level flight.\u003c\/p\u003e\n\n \u003cp\u003eThe Swift utilizes influences of 2 classic designs of the \"golden days\" of all valve recording with improvements to bring the specs up-to-date for today's pro use, plus added features of our own designs.\u003c\/p\u003e\n\n\u003cp\u003e The main electronics are based around a 1950s EMI desk but with extended top and bass response. It had a BAXANDALL type active eq which we've kept and we added a Presence switch to give a broad band lift to mid\/hi frequencies. This is based on one invented by Vic Keary in 1963 and used in his own mixing desks.\u003c\/p\u003e\n\n\u003cp\u003e The mid lift controls are based on the Pultec design and are passive. For speedy operation and economy we have chosen just 4 frequencies, with 3 \"Q\" settings.\u003c\/p\u003e\n\n\u003cp\u003e Special features of ours are Hi Pass Filter, Mid Cut and \"Air\" (all passive). An interesting (Pultec type) effect can be obtained by setting the High Pass Filter at its last setting which combines a shelving bass cut with a filter at very low frequency, then using plenty of bass lift at either 50 or 100 Hz.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eAll pots are continuously variable. We have chosen not to use indented ones for subtlety and reliability reasons.\u003c\/p\u003e\n\n\u003cp\u003e Gain is on switches, for comparison purposes. BYPASS switch disconnects the electronics so you hear the unadulterated original signal. No metering is provided as it was deemed to be just a distraction. The Swift can output + 20 dBu without noticeable distortion and it's practically noiseless.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Although The Swift is influenced by old designs, our electronic design is a great improvement on the old ones. There are only two valves per channel to keep coloration minimal. We use modern, specially designed, Sowter transformers and valves (tubes) not used before in this type of circuit. They simply sound better and the technical spec is outstanding. In all fairness to the original designers, these valves were probably not then available at the design stage so this gives us a little advantage!\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e All-valve signal path using NOS and new production valves;\u003c\/li\u003e\n\n \u003cli\u003eCombines features of the best USA and UK equalizers with Thermionic magic;\u003c\/li\u003e\n\n\u003cli\u003e Quick and easy to operate, clearly labeled front panel\u003c\/li\u003e\n\n\u003cli\u003e Shelving Bass and Treble lift\/cut Controls at 2 frequencies each;\u003c\/li\u003e\n\n\u003cli\u003e Mid Cut and Lift at 4 Frequencies each with Three 'Q' combinations;\u003c\/li\u003e\n\n\u003cli\u003e Our own Presence and Air Controls;\u003c\/li\u003e\n\n\u003cli\u003e A Switchable High Pass Filter with a Special last position which used in conjunction with the Bass lift can be a very interesting combination;\u003c\/li\u003e\n\n\u003cli\u003e Adjustable gain in .75 dB steps;\u003c\/li\u003e\n\n\u003cli\u003e Frequency response from below to well above human hearing with miniscule phase shift;\u003c\/li\u003e\n\n\u003cli\u003e Virtually no distortion unless driven beyond DAW capability and practically noiseless;\u003c\/li\u003e\n\n\u003cli\u003e Typical Thermionic Culture warm, natural sound;\u003c\/li\u003e\n\n\u003cli\u003e Equally superb as mix buss eq and for individual instruments\/tracks;\u003c\/li\u003e\n\n\u003cli\u003e Lovingly hand-made and tested in Harlow, England.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37459040796843,"sku":"99-TC-SWIFT-EQ","price":43495.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/swift-eq-171893.jpg?v=1606529159"},{"product_id":"phoenix-master-plus-compressor","title":"Phoenix Master Plus Compressor","description":"\u003cp data-mce-fragment=\"1\"\u003eThis is the latest development in the evolution of the classic Phoenix compressor, first introduced in 1998. After requests from mastering engineers the Master Phoenix was introduced in October 2006. This was more recall-able with indented pots and slightly different power supply and metering circuit , in which trimming the meter alters the current through the compression valve so compensating for valve ageing. The compression curve of the mastering Phoenix is ​​slightly gentler than that of the standard one, but it does have a more \"positive\" effect. This earlier version has 6dB lower gain compared to the standard Phoenix.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The Master Phoenix is ​​in use in many studios and mastering suites around the world, and we do know that one of its users, Ray Staff of AIR London Studios won the MPG award for Best Mastering Engineer in 2009.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe new Mastering Plus is a much upgraded version employing precision Elma switches for the Gain and Threshold and Alpha switches for Attack and Release. Omeg indented pots are used for the Output Level for fine control.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Side Chain Bass Cut switches, which have become an essential mastering tool have been retained. In stereo mastering, with the link switch in, there are effectively 5 frequency options as the compressor side chain will work at the average of the switch positions.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e A Standby switch is introduced to prolong valve and component life and this has had an unexpected effect, see.*\u003c\/li\u003e\n\n\u003cli\u003e All valve signal path and side chain, point to point hand wired in England.\u003c\/li\u003e\n\n\u003cli\u003e Subtle control with 'soft knee' compression more compression effects when pushed hard.\u003c\/li\u003e\n\n\u003cli\u003e Stereo link for mix bus compression.\u003c\/li\u003e\n\n\u003cli\u003e Side chain filters to enable compression of all frequencies except bass.\u003c\/li\u003e\n\n\u003cli\u003e Flat frequency response over full audio range and beyond.\u003c\/li\u003e\n\n\u003cli\u003e Very low phase shift and harmonic distortion (unless pushed hard).\u003c\/li\u003e\n\n \u003cli\u003ePush-pull design gives a natural warm sound with high output level.\u003c\/li\u003e\n\n\u003cli\u003e Output trim controls for fine adjustment or lower level operation.\u003c\/li\u003e\n\n\u003cli\u003e Balanced ins and outs with custom made Sowter transformers.\u003c\/li\u003e\n\n\u003cli\u003e Bypass switch on each channel removes all electronics.\u003c\/li\u003e\n\n\u003cli\u003e Elma switches for gain and threshold controls.\u003c\/li\u003e\n\n\u003cli\u003e Alpha switches for attack and release controls.\u003c\/li\u003e\n\n\u003cli\u003e All Mullard and Siemens NOS valves.\u003c\/li\u003e\n\n\u003cli\u003e Easy recall-ability.\u003c\/li\u003e\n\n\u003cli\u003e Zero adjustment on the front.\u003c\/li\u003e\n\n\u003cli\u003e Precise calibration.\u003c\/li\u003e\n\n\u003cli\u003e More gain than earlier Master Phoenix.\u003c\/li\u003e\n\n\u003cli\u003e Standby switch to prolong valve life.\u003c\/li\u003e\n\n\u003cli\u003e Distortion effects can be created with standby on.\u003c\/li\u003e\n\n\u003cli\u003e Mullard and Siemens NOS valves are used exclusively for lower noise and long life stability.\u003c\/li\u003e\n\n\u003cli\u003e The Gain is now identical to that of the standard Phoenix so that extreme compression effects are possible.\u003c\/li\u003e\n\n\u003cli\u003e Easy adjustment of Meter Zeros, especially important in stereo mastering, is now enabled by front panel access to the trim controls, located between the 2 meters.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e*some users have found that analogue tape type distortion is created when the unit is operated with Standby on. This was unintentional but some people may find it interesting.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37459057475755,"sku":"99-TC-PH-M","price":72450.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/files\/phoenix-master-plus-compressor-692206.jpg?v=1776201027"},{"product_id":"the-earlybird-2-2","title":"The Earlybird 2.2","description":"\u003cp data-mce-fragment=\"1\"\u003e The Earlybird 2.2 contains 2 channels of very high quality valve pre-amplification. The circuit design utilizes a 'push pull' 'class A' type of amplification in order to provide ultimately clean gain, giving the lowest noise and distortion figures possible in a mic pre-amplifier.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The input and output transformers have been designed by working together with Sowter transformers to provide results that are optimized for this unit. This design work provides the Earlybird 2.2 with the lowest phase shift and highest headroom possible from a mic pre-amplifier.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThis version of the Earlybird pre-amp design also includes extra features such as 3 bands of active lift EQ with switchable mid range frequencies and high pass filters, and a function switch to help interface the unit in different usage scenarios.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The essential mic-preamp settings such as gain, impedance, 48v power and phase are all catered for by the front panel controls.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The active EQ uses the unique 'varislope' EQ curves for the 'bass' and 'top' lifting controls. The 'mid' lift control provides a broad, musical curve that can be centered at 800Hz or 2.8KHz by the frequency select switch. This curve interacts well with the top and bass controls to provide a wide degree of tone shaping possibilities.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eAs the active EQ works in the feedback part of the circuit, switching the active EQ in does not, therefore introduce any extra gain stages into the signal path. This means that the EQ can be used without fear of introducing unwanted artefacts from extra gain stages. This perhaps makes recording a little easier when a subtle amount of EQ can be added without fear of signal degradation.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The high pass filters are arranged so that the first two switch positions provide 12dB\/octave filters to cut out unwanted low frequencies at 40Hz or 100Hz. The last position provides a filter with more of a shelving nature that can combine with the bass lift control to give a simultaneous mid cut and bass lift if desired.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Function switch allows the unit to take its input from either the 'mic in' XLR sockets, the 'Line in' sockets or the 'Pullet' sockets. So the unit can be connected for different uses while remaining in an equipment rack. The variable impedance and pad settings on the switch allow the input circuitry of the Earlybird 2.2 to be optimized for use with a large variety of mics and signal levels. They can also be used for creative tonal choices if so desired.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e We find that the variety of functions possible with the Earlybird 2.2 make it extremely versatile and coupled with the outstanding sonic results it is a great addition to any type of studio that is used to record or mix sound.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The Pullet, is the perfect companion to the Earlybird 2.2 to complete a superb mastering equaliser.\u003c\/p\u003e\n\n\u003cp\u003e 2 Channels of extremely high quality push pull' 'class A' type of valve pre amplification.\u003c\/p\u003e\n\n\u003cp\u003e 3 bands of active lift EQ with 2 mid range frequencies and switchable high pass filters.\u003c\/p\u003e\n\n \u003cp\u003eClean gain, giving extremely low noise and distortion figures.\u003c\/p\u003e\n\n\u003cp\u003e Essential mic-preamp settings such as gain, impedance, 48v power and phase are all catered for by the front panel controls.\u003c\/p\u003e\n\n\u003cp\u003e Can be optimized for use with a large variety of mics, signal levels and different uses whilst remaining in an equipment rack.\u003c\/p\u003e\n\n\u003cp\u003e Function switch will allow the unit to take its input from, mic. in, line, or the Pullet sockets.\u003c\/p\u003e\n\n\u003cp\u003e Massive clean output, but can be trimmed by output level controls, some coloration can be obtained if desired.\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37459095421099,"sku":"99-TC-EB-2.2","price":51007.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/files\/the-earlybird-22-811959_2204d265-b821-4630-abdd-888f0060e020.jpg?v=1776201474"},{"product_id":"the-fat-bustard-ii","title":"The Fat Bustard II","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eATTENTION! 2-3 weeks delivery time!\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe Fat Bustard mk II is an all valve passive input summing mixer. It has 14 inputs with 4 stereo inputs, 4 mono pan-able inputs and 2 'Aux' inputs with a pan switch. The Fat Bustard is unique in its exceptional sound quality and also the extra degree of control and processing it offers over the stereo mix output. The mk II version is now the standard production model and it has been upgraded to include a monitor output with level control.\u003c\/p\u003e\n\n\u003cp\u003e Much of the attractive sound provided by the Fat Bustard is down to the choice of valves used. The summing is done by a pair of 5965 valves and the output stage uses a pair of 6SN7 valves. This combination provides a very large amount of headroom and a unique smooth sounding response. It's also worth noting that the unit has \"semi-floating\" inputs and unbalanced outputs. This was a decision made at the design stage purely because the unit sounded better this way and performed excellently when connected for use in all situations.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe Fat Bustard employs our unique \"varislope\" curves for top and bass lift. As the control is turned up, the peak frequency of the curve becomes more extreme so as to add heavier bass\/brilliant top – without the hardness found in solid state eqs. The bass and top cuts provide a variety of options to tailor the sound – too many to list here. They are of course independent of the lifts. All controls affect both stereo channels equally.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e The 'Attitude' control is the next to control the sound of the mix. This switched control gradually increases the amount of harmonic distortion in the stereo summing stage. It is relatively subtle (at least in the lower positions) to provide just the right amount of 2nd harmonic content for a stereo mix. At high positions the mix can be quite aggressive.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e The stereo spread control allows the stereo to be widened by a continuous amount over a selectable frequency range.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe 'Spread filter' control allows the frequency above which widening occurs to be selected from full band widening to only widening above 5KHz. Again, this control can be used to vary the tone of the stereo mix as well as the stereo width. Along with stereo widening at higher frequencies.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e The 'Bass to Centre' control allows bass frequencies in the stereo mix to be summed to mono for 2 different low frequency ranges, plus there is a setting for all frequencies to mono.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e A Stereo 'balance' control and rotary 31 position ELMA switch for 'Output level' give full control over output levels.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e The 'Monitor level' control, int\/ext switch and extra outputs provide a useful way to connect and control monitors to the Fat Bustard. Especially useful when the Fat Bustard is the only mixer being used. If this is not a requirement then the int\/ext switch in conjunction with the monitor outputs can be used to provide an insert in\/out switch.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e All valve 14 channel passive summing mixer with many extras!\u003c\/li\u003e\n\n\u003cli\u003e Pan controls on 4 channels.\u003c\/li\u003e\n\n \u003cli\u003eUnique Varislope Top and Bass lifts plus filters.\u003c\/li\u003e\n\n\u003cli\u003e 'Attitude' control to add harmonics.\u003c\/li\u003e\n\n\u003cli\u003e Stereo width controls \/ Bass to center and mono.\u003c\/li\u003e\n\n\u003cli\u003e Precision ELMA switch to control main level (fadeable).\u003c\/li\u003e\n\n\u003cli\u003e Monitor outputs with level control and switching.\u003c\/li\u003e\n\n\u003cli\u003e Hand wired with point to point wiring throughout.\u003c\/li\u003e\n\n\u003cli\u003e Exceptional sound quality - very low distortion except when required and massive 'headroom'.\u003c\/li\u003e\n\n\u003cli\u003e Frequency response extends from below audio range to well above.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37459153092779,"sku":"99-TC-FBII","price":64950.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/the-fat-bustard-ii-760891.jpg?v=1606528986"},{"product_id":"the-kite-stereo-eq-med-attityd","title":"The Kite Stereo EQ ","description":"\u003cdiv title=\"Page 4\" class=\"page\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe Kite has been developed by Thermionic Culture in response to requests and feedback from many of our customers. Familiar features include the “Attitude” control and broad, effective EQ in a 2-channel format.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe sound shaping controls are all dual channel controls, allowing the user to make fast, intuitive changes to the stereo mix without having to check alignment between channels. However, there are independent output level controls should any adjustment need to be made to the left\/right balance.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe \"Attitude\" design is taken from the Fat Bustard and allows the Kite to be run as a very low distortion device or to be progressively made richer in 2nd harmonic content as the \"Attitude\" control is increased. We should point out that this “Attitude” circuit is unique to Thermionic Culture Ltd.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe type of valve used is critical to the success of the sound in adding usable and desirable harmonic content to the signal without incurring any noise or headroom issues. It was selected for several electronic properties that it has and also through many careful listening tests that proved it simply \"sounded right\" when used in the \"Attitude\" circuit.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe effect of adding 2nd harmonic content to the stereo mix bus is well known to bring extra dimension and character to the sound. There is also a subtle squeezing of the dynamic range due to the saturation of loud peaks and transients in the stereo signal. This can be very beneficial when used judiciously to achieve a louder overall mix, rather like the effect of running a mixing console's stereo mix bus just to the point of saturation. However, the valve circuitry will inherently give a larger, more forgiving range within which to utilize the saturation than any solid-state console could provide.\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv title=\"Page 5\" class=\"page\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe EQ section of the Kite is also inspired by the Fat Bustard EQ section but has been developed further.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \"Bass boost\" control has 2 frequency positions with Thermionic Culture's own \"varislope\" EQ curves and there is also a continuously variable shelving \"Bass Cut\" control. This gives fine control over the type of bass that can be added and the interplay between the \"Bass Boost\" and \"Bass Cut\" provides unique shaping possibilities for the low end. For example, the \"Bass Cut\" can be used to subtly tighten up the bass end when applying bass lift or it can be used to provide a simultaneous low midrange cut and low bass lift, in varying degrees.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eA 2-position high pass filter “HPF” control allows further adjustment to the very low end of the sound.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \"Top Shelf\" control is now brought right down into the midrange with 2 frequency choices, allowing a very broad musical lift of a wide band of frequencies in the mid to high end of the spectrum. This can be perceived as an intuitive and musical approach to stereo EQ as there is no peak or center frequency that becomes dominating when EQ lift is applied, just the smooth addition of presence to the musical content in the selected range.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFor control of the very high end there is a rather special \"Air\" control. This is a transparent sounding control that gives additional openness and sparkle to the sound. It makes the sound so clear (at Att 1) ​​that there is almost zero phase shift in the whole audio spectrum when this control is set to 5!\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf the user wishes to use a lot of \"Attitude\" and gain to achieve a more saturated, dense sound, the \"-6dB\" switches are there to ensure the output controls stay within any easy to adjust central range of the control.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e All controls are stereo except O\/P TRIM and are indented for easy recall;'\u003c\/li\u003e\n\n\u003cli\u003e HPF (High Pass Filter) operates at 20 \u0026amp; 40Hz with a 12dB\/octave curve;\u003c\/li\u003e\n\n\u003cli\u003e BASS BOOST and BASS CUT both have 2 selectable operating frequencies,\u003c\/li\u003e\n\n\u003cli\u003e which can be used together for a Mid Cut effect;\u003c\/li\u003e\n\n\u003cli\u003e TOP SHELF is a broad Mid\/Top Lift, a little like a Presence control. Also has 2 frequencies.\u003c\/li\u003e\n\n\u003cli\u003e AIR boosts the higher Top and will give an amazing clear yet warm sound, only available with out valve products;\u003c\/li\u003e\n\n\u003cli\u003e ATTITUDE is our own switch that adds those special 2nd harmonics only possible with valves! ;\u003c\/li\u003e\n\n\u003cli\u003e OUTPUT TRIM - Separate controls to adjust finely the 2 channels, also -6dB switches;\u003c\/li\u003e\n\n\u003cli\u003e XLR connectors, \"semi floating\" inputs and unbalanced outputs are employed;\u003c\/li\u003e\n\n \u003cli\u003eA transformer balanced version is available to order, in Purple.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37459178586283,"sku":"99-TC-KITE","price":37495.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/files\/ThermionicCulture_TheKite_01_1.jpg?v=1776200167"},{"product_id":"the-pullet-eq","title":"The Pullet EQ","description":"\u003cp data-mce-fragment=\"1\"\u003e The Pullet is a passive EQ which has a sharp focus on mid range frequencies. The Pullet will provide the EQ network to a signal but will reduce the signal level so that a preamplifier with a gain of up to 40dB is needed in order to lift the signal back up to unity gain when the Pullet EQ is set to 'flat' or bypass.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The preamplifier is used at the output of the Pullet. The fact is that most people will already have a preamplifier that can be used, either a standalone outboard unit, or a mic-preamp built into a console, so the Pullet can make a lot more use from the preamps that would otherwise be sitting around unused during a mix.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Pullet provides a variation on the classic passive EQ designs that have proven so popular (eg. Pultec). However, there is far more control and choice in the mid range frequencies than can be found in previous designs.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The Pullet can provide a variable Q boost of up to 21dB over 11 different frequencies and fixed Q cut at 11 frequencies. There is also a 'High top' control that provides a switched set of shelving style filters to boost or cut high frequencies.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The Pullet was originally designed for use with the Earlybird 2.2 mic preamp but early on a decision was made to alter the design so that the Pullet can be used with any mic preamp available with a gain of up to 40dB. The input impedance of the Pullet is set at 10kΩ and the Sowter input transformer is utilized so that it will function normally when placed in a chain after any piece of equipment.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Pullet can produce some radical EQ curves due to the very high amount of boost and cut available but the passive nature of the EQ will always allow the results to sound as natural as possible.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e It is \"balanced\" in and out on XLR connectors. Short, high quality leads are supplied for connection to mic amps.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37459197067435,"sku":"99-TC-PEQ","price":21295.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/the-pullet-eq-151757.jpg?v=1606528982"},{"product_id":"the-phoenix-hg15-high-gain-compressor","title":"The Phoenix HG15","description":"\u003cp data-mce-fragment=\"1\"\u003e The Phoenix HG 15 is a single channel version of our classic Phoenix Stereo Compressor, having the same gentle “variable mu” type compression curve, although it becomes close to a limiter at high compression levels.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The gain has been boosted to suit mic inputs, particularly valve and FET condenser types, but many moving coil types, such as Shure, Audio Technica, etc. are fine to use if the sound source is quite loud or close-miked.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eWith the Threshold switch set to Comp Out it's a clean mic\/line amp, now add a little Active Eq, “Presence” and\/or “Air” to brighten the sound, then switch in some compression and achieve that gentle “super-natural ” effect that only Thermionic Culture can give you.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The Output Level control acts as a reverse linear attenuator after the electronics, and can be used simply to reduce level if feeding a low level input, or to add \"Attitude\" by reducing the output and increasing the input.  If you're working from line level, it's OK to switch the input from “Line” to “Pad” but ensure the +48v switch is OFF!\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e 2 HG15s can be linked together for stereo use by a phono-phono lead from the Link socket at the rear.  There's a Side Chain Bass Cut switch, which can also be useful in mono operation.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eTo sum up, The Phoenix HG15 is ideal as just a mic amp for vocals, violins, horns, guitars…… especially when using a high output mic like the U87.  Then having the ability to add compression and a bit of eq.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e High Gain Mic Amp\/Compressor\/EQ with super-natural valve sound.\u003c\/li\u003e\n\n\u003cli\u003e Based on Phoenix design with 52 dB gain available.\u003c\/li\u003e\n\n\u003cli\u003e Fully Balanced circuit with XLR in\/out connectors.\u003c\/li\u003e\n\n\u003cli\u003e +48v Phantom power available.\u003c\/li\u003e\n\n\u003cli\u003e Threshold control has 7 way switch with Compressor Out position.\u003c\/li\u003e\n\n\u003cli\u003e Time Constant switch has 6 combinations of Attack \u0026amp; Release.\u003c\/li\u003e\n\n\u003cli\u003e Side Chain Bass Cut.\u003c\/li\u003e\n\n\u003cli\u003e Presence and Air switches to boost mid and high top with In\/Out switch.\u003c\/li\u003e\n\n\u003cli\u003e Bass Cut to roll off low bass.\u003c\/li\u003e\n\n\u003cli\u003e 2 valves, 6AQ8EH input and 12AT7\/ECC81 output.\u003c\/li\u003e\n\n\u003cli\u003e Solid State side chain!\u003c\/li\u003e\n\n\u003cli\u003e Link socket to connect 2 HGs for stereo bus operation, etc.\u003c\/li\u003e\n\n\u003cli\u003e Made in England.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":37459207585963,"sku":"99-TC-PHOENIXS15","price":25025.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/the-phoenix-hg15-843802.jpg?v=1666343461"},{"product_id":"the-earlybird-4","title":"The Early Bird 4","description":"\u003cp data-mce-fragment=\"1\"\u003e The Earlybird 4 contains 4 channels of extremely high-quality valve pre-amplification. Originally made in black in 1999, this is a special \"revival\" limited edition in red (limited to 49 only). The black edition is still available with the updated circuitry.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e As the individual channel circuitry in this version of the Earlybird has been simplified in order to provide 4 channels in one 19” unit, the individual channel specifications have risen. Thus making this the most natural-sounding, high-quality version of the Earlybird preamp to date.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Effectively giving the user the cleanest possible valve gain with a range from 3dB to 62dB and a switchable input impedance to help in matching the unit with different microphones.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e This is one of Thermionic Culture's all-hand-wired products with point-to-point wiring throughout.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe circuit design utilizes a 'push pull' 'class A' type of valve amplification in order to provide ultimately clean gain, giving the lowest noise and distortion figures possible in a microphone amplifier.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The input and output transformers have received special attention and by working together with Sowter transformers, designs have been created that bring better results than ever before. The lowest phase shift and highest headroom are both benefits brought by these designs.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e It's unusual to hear a mic amp with the Earlybird 4's qualities and after years of improvements Vic Keary proudly declares this “The best, most real mic. amp ever”. We hope that upon hearing the unit's beautiful results yourself, you will agree with Vic.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe pair of VU meters show the signal levels for 2 selectable channels. VU meter A is switchable between channels 1 and 3. VU meter B is switchable between channels 2 or 4. 4 red LEDs light up when the output of the amplifiers exceeds +10 dBm, though don't worry – there's still 20dB of headroom left in the Earlybird!\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 4 Channels of extremely high-quality push pull' 'class A' type of valve pre-amplification.\u003c\/li\u003e\n\n\u003cli\u003e Clean gain, giving the lowest noise and distortion figures possible in a mic. amp.\u003c\/li\u003e\n\n\u003cli\u003e Hand wired with point-to-point wiring throughout.\u003c\/li\u003e\n\n\u003cli\u003e Lowest phase shift and highest headroom.\u003c\/li\u003e\n\n\u003cli\u003e Controls on each channel for:\u003c\/li\u003e\n\n\u003cli\u003e Switchable input impedance to help in matching the unit with different microphones. Switchable 48V phantom power.\u003c\/li\u003e\n\n\u003cli\u003e Switched gain 42 dB to 62 dB, 20 dB pad.\u003c\/li\u003e\n\n\u003cli\u003e 2-position high pass filter.\u003c\/li\u003e\n\n\u003cli\u003e Variable output trim with phase inverter.\u003c\/li\u003e\n\n\u003cli\u003e Vu meters are switchable between channels.\u003c\/li\u003e\n\n\u003cli\u003e Peak overload indicators.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":43442986746115,"sku":"99-TC-EB-4","price":77950.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/the-earlybird-4-232566.jpg?v=1666374840"},{"product_id":"rooster-2","title":"Rooster 2","description":"\u003cp\u003e The Rooster 2 is a 2-channel all valve preamp with EQ and distortion controls. It is designed for a wide range of applications and can produce a large range of tones, harmonic distortion and subtle dynamic control.\u003c\/p\u003e\n\n\u003cp\u003e The pre-amp section can be used to add gain to mic, line or DI input signals. The double triode input valve (12AX7) provides a smooth-sounding gain stage after the balancing input transformer.\u003c\/p\u003e\n\n\u003cp\u003e 48 volts can be applied to phantom-powered mics by using the special toggle switch. The DI input bypasses the transformer to give a suitable high-impedance unbalanced input.\u003c\/p\u003e\n\n\u003cp\u003e The 'Attitude' section provides control over the amount of distortion inherently produced by the 5654 valve.\u003c\/p\u003e\n\n\u003cp\u003e The natural distortion figure for the Rooster 2 is well below 0.1% at low Attitude settings. As the Attitude is increased, extra harmonics, mostly musical, will be added to give a warm 'valvey' sound.\u003c\/p\u003e\n\n \u003cp\u003eSimilarly to the Culture Vulture, the unit will tend to produce predominantly more 2nd order harmonics when in 'Triode' mode and 3rd order harmonics when in 'Pentode' mode. This provides a creative means of both tone and dynamics control over the input signal as well as allowing the user to select how much and what kind of harmonics are present in the signal.\u003c\/p\u003e\n\n\u003cp\u003e The EQ section provides a simple yet powerful musical control over frequency content.\u003c\/p\u003e\n\n\u003cp\u003e The Bass lift control gives continuous control over the amount of bass using a unique 'varislope' curve which peaks at 60Hz.\u003c\/p\u003e\n\n\u003cp\u003e The 'mid\/high' lift control gives a bell-type curve with variable gain peaking at either 2.5KHz \/ 4KHz or a 'varislope' curve peaking at 12KHz, all selected by the frequency select switch.\u003c\/p\u003e\n\n\u003cp\u003e The 'Mid cut' control provides a bell-type curve centered at 700Hz with continuous control over the amount of cut.\u003c\/p\u003e\n\n \u003cp\u003eThe 'Bass cut' switched control provides 5 positions with different cutting curves. The curves start off as high pass filters which get progressively higher in frequency and then turn into a shelving-type curve that will also increase in frequency as the switch is advanced. These controls are intended to interact with the other EQ controls for a very flexible control over the entire frequency range.\u003c\/p\u003e\n\n\u003cp\u003e The 'LPF' or low pass filter switch control will allow the high frequencies to be cut at a frequency suitable to stop harsh sounding harmonics standing out when excessive distortion is used, smoothing the resulting sound.\u003c\/p\u003e\n\n\u003cp\u003e The output level control adjusts the signal going to the PCF 80 output valve and the final signal is balanced by a Sowter custom made transformer.\u003c\/p\u003e\n\n\u003cp\u003e The level of output signal is represented by the 3 LED display.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e All valve signal path.\u003c\/li\u003e\n\n\u003cli\u003e Sowter Transformer balanced ins and outs.\u003c\/li\u003e\n\n\u003cli\u003e Unique 2 channel clean mic. amps with 'Attitude' control.\u003c\/li\u003e\n\n\u003cli\u003e Option of 2 settings to select type of introduced distortion.\u003c\/li\u003e\n\n \u003cli\u003eVersatile eq. with 'varislope' control of top and bass lift.\u003c\/li\u003e\n\n\u003cli\u003e 48v Phantom Power switchable to one or both.\u003c\/li\u003e\n\n\u003cli\u003e Phase invert switch on both channels.\u003c\/li\u003e\n\n\u003cli\u003e Mic.\/line and DI input.\u003c\/li\u003e\n\n\u003cli\u003e Low pass filter.\u003c\/li\u003e\n\n\u003cli\u003e High pass filter.\u003c\/li\u003e\n\n\u003cli\u003e Low noise, High gain and High output level.\u003c\/li\u003e\n\n\u003cli\u003e Made in England\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003c\/p\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":43442994872579,"sku":"99-TC-RST2","price":34250.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/rooster-2-998268.jpg?v=1666374650"},{"product_id":"the-kite-stereo-eq-balanced","title":"The Kite Stereo EQ Balanced","description":"\u003cp\u003e Transformer balanced version in Purple.\u003c\/p\u003e\n\n\u003cp\u003e The Kite has been developed by Thermionic Culture in response to requests and feedback from many of our customers. Familiar features include the “Attitude” control and broad, effective EQ in a 2-channel format.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe sound shaping controls are all dual channel controls, allowing the user to make fast, intuitive changes to the stereo mix without having to check alignment between channels. However, there are independent output level controls should any adjustment need to be made to the left\/right balance.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \"Attitude\" design is taken from the Fat Bustard and allows the Kite to be run as a very low distortion device or to be progressively made richer in 2nd harmonic content as the \"Attitude\" control is increased. We should point out that this “Attitude” circuit is unique to Thermionic Culture Ltd.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe type of valve used is critical to the success of the sound in adding usable and desirable harmonic content to the signal without incurring any noise or headroom issues. It was selected for several electronic properties that it has and also through many careful listening tests that proved it simply \"sounded right\" when used in the \"Attitude\" circuit.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe effect of adding 2nd harmonic content to the stereo mix bus is well known to bring extra dimension and character to the sound. There is also a subtle squeezing of the dynamic range due to the saturation of loud peaks and transients in the stereo signal. This can be very beneficial when used judiciously to achieve a louder overall mix, rather like the effect of running a mixing console's stereo mix bus just to the point of saturation. However, the valve circuitry will inherently give a larger, more forgiving range within which to utilize the saturation than any solid-state console could provide.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e The EQ section of the Kite is also inspired by the Fat Bustard EQ section but has been developed further.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \"Bass boost\" control has 2 frequency positions with Thermionic Culture's own \"varislope\" EQ curves and there is also a continuously variable shelving \"Bass Cut\" control. This gives fine control over the type of bass that can be added and the interplay between the \"Bass Boost\" and \"Bass Cut\" provides unique shaping possibilities for the low end. For example, the \"Bass Cut\" can be used to subtly tighten up the bass end when applying bass lift or it can be used to provide a simultaneous low midrange cut and low bass lift, in varying degrees.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e A 2-position high pass filter “HPF” control allows further adjustment to the very low end of the sound.\u003c\/p\u003e\n\n \u003cp\u003eThe \"Top Shelf\" control is now brought right down into the midrange with 2 frequency choices, allowing a very broad musical lift of a wide band of frequencies in the mid to high end of the spectrum. This can be perceived as an intuitive and musical approach to stereo EQ as there is no peak or center frequency that becomes dominating when EQ lift is applied, just the smooth addition of presence to the musical content in the selected range.\u003c\/p\u003e\n\n\u003cp\u003e For control of the very high end there is a rather special \"Air\" control. This is a transparent-sounding control that gives additional openness and sparkle to the sound. It makes the sound so clear (at Att 1) ​​that there is almost zero phase shift in the whole audio spectrum when this control is set to 5!\u003c\/p\u003e\n\n\u003cp\u003e If the user wishes to use a lot of \"Attitude\" and gain to achieve a more saturated, dense sound, the \"-6dB\" switches are there to ensure the output controls stay within any easy to adjust central range of the control.\u003c\/p\u003e\n\n\u003cul\u003e\n\n \u003cli\u003eAll controls are stereo except O\/P TRIM and are indented for easy recall;'\u003c\/li\u003e\n\n\u003cli\u003e HPF (High Pass Filter) operates at 20 \u0026amp; 40Hz with a 12dB\/octave curve;\u003c\/li\u003e\n\n\u003cli\u003e BASS BOOST and BASS CUT both have 2 selectable operating frequencies,\u003c\/li\u003e\n\n\u003cli\u003e which can be used together for a Mid Cut effect;\u003c\/li\u003e\n\n\u003cli\u003e TOP SHELF is a broad Mid\/Top Lift, a little like a Presence control. Also has 2 frequencies.\u003c\/li\u003e\n\n\u003cli\u003e AIR boosts the higher Top and will give an amazing clear yet warm sound, only available with out valve products;\u003c\/li\u003e\n\n\u003cli\u003e ATTITUDE is our own switch that adds those special 2nd harmonics only possible with valves! ;\u003c\/li\u003e\n\n\u003cli\u003e OUTPUT TRIM - Separate controls to adjust finely the 2 channels, also -6dB switches;\u003c\/li\u003e\n\n\u003cli\u003e XLR connectors, \"semi floating\" inputs and unbalanced outputs are employed;\u003c\/li\u003e\n\n\u003cli\u003e A transformer balanced version is available to order, in Purple.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":43443015745795,"sku":"99-TC-KITE-B","price":37295.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/the-kite-stereo-eq-balanced-255469.jpg?v=1666374840"},{"product_id":"swift-eq-balanced","title":"Swift EQ Balanced","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTransformer balanced version.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e This two channel equalizer had been designed to be as much at home in tracking individual instruments or sitting across a stereo mix bus to equalize the final mix. As with other units of ours, such as The Phoenix, all controls are clearly labeled and setting up the eq is quick and easy, so we named it after Britain's fastest bird in level flight.\u003c\/p\u003e\n\n\u003cp\u003e The Swift utilizes influences of 2 classic designs of the \"golden days\" of all valve recording with improvements to bring the specs up-to-date for today's pro use, plus added features of our own designs.\u003c\/p\u003e\n\n\u003cp\u003e The main electronics are based around a 1950s EMI desk but with extended top and bass response. It had a BAXANDALL type active eq which we've kept and we added a Presence switch to give a broad band lift to mid\/hi frequencies. This is based on one invented by Vic Keary in 1963 and used in his own mixing desks.\u003c\/p\u003e\n\n \u003cp\u003eThe mid lift controls are based on the Pultec design and are passive. For speedy operation and economy we have chosen just 4 frequencies, with 3 \"Q\" settings.\u003c\/p\u003e\n\n\u003cp\u003e Special features of ours are Hi Pass Filter, Mid Cut and \"Air\" (all passive). An interesting (Pultec type) effect can be obtained by setting the High Pass Filter at its last setting which combines a shelving bass cut with a filter at very low frequency, then using plenty of bass lift at either 50 or 100 Hz.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e All pots are continuously variable. We have chosen not to use indented ones for subtlety and reliability reasons.\u003c\/p\u003e\n\n\u003cp\u003e Gain is on switches, for comparison purposes. BYPASS switch disconnects the electronics so you hear the unadulterated original signal. No metering is provided as it was deemed to be just a distraction. The Swift can output + 20 dBu without noticeable distortion and it's practically noiseless.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eAlthough The Swift is influenced by old designs, our electronic design is a great improvement on the old ones. There are only two valves per channel to keep coloration minimal. We use modern, specially designed, Sowter transformers and valves (tubes) not used before in this type of circuit. They simply sound better and the technical spec is outstanding. In all fairness to the original designers, these valves were probably not then available at the design stage so this gives us a little advantage!\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e All-valve signal path using NOS and new production valves;\u003c\/li\u003e\n\n\u003cli\u003e Combines features of the best USA and UK equalizers with Thermionic magic;\u003c\/li\u003e\n\n\u003cli\u003e Quick and easy to operate, clearly labeled front panel\u003c\/li\u003e\n\n\u003cli\u003e Shelving Bass and Treble lift\/cut Controls at 2 frequencies each;\u003c\/li\u003e\n\n\u003cli\u003e Mid Cut and Lift at 4 Frequencies each with Three 'Q' combinations;\u003c\/li\u003e\n\n\u003cli\u003e Our own Presence and Air Controls;\u003c\/li\u003e\n\n\u003cli\u003e A Switchable High Pass Filter with a Special last position which used in conjunction with the Bass lift can be a very interesting combination;\u003c\/li\u003e\n\n \u003cli\u003eAdjustable gain in .75 dB steps;\u003c\/li\u003e\n\n\u003cli\u003e Frequency response from below to well above human hearing with miniscule phase shift;\u003c\/li\u003e\n\n\u003cli\u003e Virtually no distortion unless driven beyond DAW capability and practically noiseless;\u003c\/li\u003e\n\n\u003cli\u003e Typical Thermionic Culture warm, natural sound;\u003c\/li\u003e\n\n\u003cli\u003e Equally superb as mix buss eq and for individual instruments\/tracks;\u003c\/li\u003e\n\n\u003cli\u003e Lovingly hand-made and tested in Harlow, England.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cstrong data-mce-fragment=\"1\"\u003eATTENTION! 2-3 weeks delivery time!\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":43443059065091,"sku":"99-TC-SWIFT-EQ-B","price":47650.0,"currency_code":"SEK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/8330\/7620\/products\/swift-eq-balanced-399750.jpg?v=1666374840"}],"url":"https:\/\/www.mug.se\/en\/collections\/thermionic-culture.oembed","provider":"Musik Utan Gränser","version":"1.0","type":"link"}