1-Channel 500 Series Mic Preamp/DI - 2He.
The TB12 "Tone Beast" 500 microphone preamp with its 71db gain CineMag transformers is a Swiss Army Knife when it comes to creating the right character for your particular sound.
Choose between two OpAmps, 1731 (Vintage) or 918 (Cleaner) and it is possible to drive the TB12 really hard almost to full distortion which gives your guitar, bass or whatever you think fits with lots of extra crunch.
_____
The TB12 Tone Beast Black is a fully professional preamp design with loads of gain that can effortlessly capture an array of sources very well. It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat the Tone Beast's big, bold, fully-professional sound at this price.
The Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.
The TB12 "Tone Beast Black" is a fully discrete, high-voltage microphone preamplifier, utilizing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit.
The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast Black to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.
- 71DB OF GAIN
- BOTH STEEL AND 50% NICKEL CINEMAG OUTPUT TRANSFORMERS
- TRANSFORMER BYPASS SWITCH
- DISCRETE OPAMP SELECTION, A 1731(VINTAGE) AND 918(CLEANER)
- IMPEDANCE SWITCH BETWEEN 150 AND 600 OHMS INPUT IMPEDANCE
- 2 MEG OHM TRUE HI-Z INPUT
- 80HZ HIPASS FILTER
- POLARITY REVERSE
- PREMIUM GRADE CINEMAG USA TRANSFORMERS
- +48V PHANTOM POWER
- OUTPUT ATTENUATION ALLOWS FOR SATURATION FLEXIBILITY OF BOTH OPAMPS AND TRANSFORMERS
- ¼" INSERT FOR THE USE OF INLINE COMPRESSORS, EQ'S ETC
- BALANCED XLR MIC (FRONT AND BACK), BALANCED TRS LINE, AND ¼" UNBALANCED INSTRUMENT INPUTS
- BALANCED XLR AND TRS OUTPUTS
- -20DB PAD
- LED VU METER
- 19" RACK MOUNTABLE
- CAPACITOR SELECTION BETWEEN TANTALUM AND ELECTROLYTIC FOR DIFFERENT CHARACTERS
- COMPATIBLE WITH STANDARD 500 SERIES RACKS.